Mr Vengerov has since conducted major orchestras around the world including the Montreal and Toronto Symphony Orchestras, and in 2010 was appointed the first chief conductor of the Gstaad Festival Orchestra. He went on to further his studies with Yuri Simonov, an exponent of the Russian-German conducting school, and graduated as a conductor with a diploma of excellence from the Moscow Institute of Ippolitov-Ivanov in June 2014. He has since graduated from a further 2-year program of opera conducting.

In the last few seasons, Maxim Vengerov has performed as soloist and/or conductor with all major orchestras, including the New York Philharmonic, Berlin Philharmonic, London Symphony Orchestra, BBC Symphony Orchestra, Mariinsky Theatre Orchestra, Chicago, Montreal and Toronto Symphony Orchestras and toured extensively around the world in Recital.
In the 2016/17 season Mr Vengerov returned to Australia to open the season of the Sydney Symphony Orchestra. Further guest conducting engagements included the RTE Orchestra Dublin, Munich Philharmonic and Melbourne Symphony Orchestras.

In 17/18 Mr Vengerov returned to Carnegie Hall with the Montreal Symphony Orchestra and premiered a new concerto at the Beijing Music Festival written by the renowned composer Qigang Chen, which was recorded and now released on Deutsche Gramophone. He also conducted the Orchestre National de France and toured Europe, China and the US in recital.
Highlights of 18/19 saw Mr Vengerov opening the season of the Orchestra Filarmonica della Scala with Maestro Chailly, a Residence with Monte Carlo Philharmonic and the Philharmonie in Paris.

In January of last year, Maxim Vengerov became Classic FM’s first solo Artist in Residence and he released a new recording of Tchaikovsky’s Violin Concerto with conductor Myung-Whun Chung and the Orchestre Philharmonique de Radio France, coupled with works by Saint-Säens and Ravel as well as a live recital from Carnegie Hall. Further recordings will follow to coincide with Maxim Vengerov’s celebration of 40 years on stage at the Royal Albert Hall, originally planned for 2021, but now rescheduled to September 2022. He will be joined by his colleagues Misha Maiski, Martha Argerich, the Oxford Philharmonic with its Music Director Marios Papadopoulos and students from the Royal College of Music London.

As one of Mr Vengerov’s greatest passions is the teaching and encouraging of young talent, he has held various teaching positions around the world. He currently holds the Stephan and Viktoria Schmidheiny Stiftungsprofessur at the Mozarteum University Salzburg and since September 2016 he is also the Polonsky Visiting Professor of Violin at the Royal College of Music in London – the UK’s leading conservatoire. Furthermore, in keeping with his belief that competitions are a platform to launch young artists’ international careers, Mr Vengerov has served on numerous juries including the Donatella Flick conducting competition, the Menuhin Violin Competition and in May 2013 conducted the finals during the Montreal International Violin Competition. Owing to his success as chairman of the prestigious Wieniawski Violin Competition in 2011, where he auditioned live over 200 musicians in nine world capitals, Mr Vengerov was unprecedentedly re-elected to return as chairman in 2016. With the vision of democratising the access of music learning, he launched his own online platform in January 2021:www.maximvengerov.com and created an impact across 170 countries and over 190 million reach. His first year programs include partnerships with musical institutions from around the world, the Lottery Ticket program, guest artist series inaugurated with Brett Yang from TwoSet Violin, as well as his new global community group who’s initiatives include the world leading Mentoring program, rural musical communities initiative and the Musical Pen Pals program for children.

In 1997 Mr Vengerov became the first classical musician to be appointed International Goodwill Ambassador by UNICEF, which has enabled him to continue to inspire children worldwide through music. In this role he has performed for disadvantaged children and communities in Uganda, Thailand, the Balkans and Turkey, whilst helping to raise funds for many UNICEF-assisted programs. He is also a patron of the MIAGI project in South Africa, which connects children of different ethnic backgrounds through music and in 2018 became the Goodwill Ambassador of the Musica Mundi School – a unique institution, which supports young talents.

Mr Vengerov has been profiled in a series of documentaries, including Playing by Heart, which was recorded by Channel Four Television and screened at the Cannes Television Festival in 1999, and Living the Dream, which was released worldwide and received the Gramophone Award for Best Documentary in 2008.

Mr Vengerov has received prestigious fellowships and honours from a number of institutions, including the Royal Academy of Music and orders of merit from both Romania and Germany’s Saarland. In 2012 he was awarded an Honorary Visiting Fellowship at Trinity College Oxford and in 2019 he received an Honorary Doctorate from the Royal College of Music London and the Order of Cultural Merit from the Palace Monte Carlo.

Mr Vengerov has also received numerous awards including Grammy Award for Best Instrumental Soloist Performance (with Orchestra) (2003), two Gramophone awards (1994, 1995), a Classical Brit Award (2004), five Edison Classical Music Awards (1995, 1996, 1998, 2003, 2004), two ECHO awards (1997, 2003) and a World Economic Forum Crystal award (2007) – honouring artists who have used their art to improve the state of the world.

Mr Vengerov plays the ex-Kreutzer Stradivari (1727).

The artistic partnership between Noseda and the NSO continues to flourish with the NSO recording label distributed by LSO Live for which Noseda also records as principal guest conductor of the London Symphony Orchestra. The first recording on the label was released in 2020 featuring Dvořák’s Symphony No 9 and Copland’s Billy the Kid. The label’s next releases over the course of 2022 and 2023 will include D.C. native George Walker’s Five Sinfonias and a Beethoven Cycle.

In September 2021, Noseda began his tenure as General Music Director of the Zurich Opera House where the centerpiece of his tenure in Zurich is a new Ring Cycle. His initial contract was through the 2024/25 season. In October 2022, his contract was extended through the 2027/28 season. 

Noseda has conducted the most important orchestras and at the leading opera houses and festivals including the Berlin Philharmonic, Chicago Symphony Orchestra, Cleveland Orchestra, Concertgebouw Orchestra, Edinburgh Festival, La Scala, Munich Philharmonic, Met Orchestra, New York Philharmonic, NHK Symphony, Orchestra dell’Accademia Nazionale di Santa Cecilia, Orchestre de Paris, Orchestre National de France, Philadelphia Orchestra, Royal Opera House (UK), Salzburg Festival, Verbier Festival, Vienna Philharmonic, Vienna State Opera, and Vienna Symphony. 

From 2007 until 2018, Noseda served as Music Director of Italy’s Teatro Regio Torino where he ushered in a transformative era for the company matched with international acclaim for its productions, tours, recordings, and film projects. His leadership resulted in a golden era for this opera house. 

Other institutions where Noseda has had significant roles include the BBC Philharmonic which he led from 2002–2011; Principal Guest Conductor of the Israel Philharmonic Orchestra from 2011–2020; the Pittsburgh Symphony Orchestra, where the Victor de Sabata Chair was created for him as principal guest conductor from 2010–2014; and the Mariinsky Theatre in St. Petersburg, which appointed him its first-ever foreign principal guest conductor in 1997, a position he held for a decade. He served as Artistic Director of the Stresa Festival from 2000–2020. He was also Principal Guest Conductor of the Rotterdam Philharmonic from 1999 to 2003; Principal Guest Conductor of the Orchestra Sinfonica Nazionale della RAI from 2003 to 2006; and Principal Conductor of the Cadaqués Orchestra from 1994 to 2020. 

Nurturing the next generation of artists is important to Noseda, as evidenced by his ongoing work in masterclasses and tours with youth orchestras, including the European Union Youth Orchestra which he again took on tour in summer 2022. In 2019 he became Music Director of the Tsinandali Festival and Pan-Caucasian Youth Orchestra in the village of Tsinandali, Georgia. 

Noseda’s intense recording activity counts more than 70 CDs on Chandos, Deutsche Grammophon, and other labels, many of which have been celebrated by critics and received awards. He has made numerous recordings with the London Symphony Orchestra and is in the midst of a multi-year project to record the complete Shostakovich Symphonies with the LSO for LSO Live. He has championed the works of neglected Italian composers through his Musica Italiana recordings for Chandos which have been celebrated for their artistic contributions. 

Gianandrea Noseda’s cherished relationship with the Metropolitan Opera dates back to 2002. At the Met he has conducted 13 operas and nearly 100 performances mainly of new productions. Many of his critically acclaimed performances have been broadcast on radio, Met Live in HD, and released as DVDs. 

A native of Milan, Noseda is Commendatore al Merito della Repubblica Italiana, marking his contribution to the artistic life of Italy. He has been honored as Musical America’s Conductor of the Year (2015) and International Opera Awards Conductor of the Year (2016). In December 2016, he was privileged to conduct the Nobel Prize Concert in Stockholm.